Saturday, November 29, 2008

Amaterasu's Doe

Deer are considered messengers to the gods in Shinto, especially Kasuga Shrine in Nara Prefecture where a white deer had arrived from Kashima Shrine as its divine messenger. It has become a symbol of the city of Nara. Amaterasu is described in the Kojiki as the sun goddess who was born from Izanagi, who was also accompanied by her siblings Susano'o, the storm deity, and Tsukuyomi, the moon deity. In the Kojiki, Amaterasu is described as the goddess from which all light emanates and is often referred to as the sun goddess because of her warmth and compassion for the people who worshipped her. Some other myths state that Amaterasu was born from water. Most of her myths revolve around an incident where the goddess traps herself in a cave because of her brother's actions. For a while, everything amongst the three revered gods was peaceful and all of the world ran smoothly. One day, Susano'o, in a drunken rampage, trampled Amaterasu's rice fields, filled all of her irrigation ditches, and threw excrement into her palace and her shrines. The Omikami asked her brother to stop but he ignored her and even went so far as to throw the corpse of a skinned horse at her hand-maidens who were weaving at the time. The women were killed by the splintered wood from the looms piercing their bodies (in the Kojiki it was their reproductive organs that were pierced[1]). Amaterasu was greatly angered and in protest she shut herself in the Heavenly Cave and sealed it shut with a giant rock. As a result, the world was consumed with darkness. Without her, everything began to wither and die. Countless Kami gathered in front of her cave and devised a way to lure her out. They all sat around the cave and set up a mirror across from the entrance. Ame-no-Uzume, the voluptuous goddess of merriment turned over a wash-tub and began a sensual dance, tapping the beat on the tub. She exposed her breasts and lifted her skirts as she danced. All of the gods made a great noise of yelling and cheering and laughing. Amaterasu peeked out to see what the noise was about. She asked the nearest god what was going on and he replied that there was a new goddess. When Amaterasu asked where she was, he pointed to the mirror. The Omikami had never seen herself before and when she caught her reflection, she stared at the radiance of her own form. She was so surprised she said "omo-shiroi", which means both "white face," which the Omikami had, and "fascinating". When she was out of the way, Tajikara-O shut the rock behind her. Having lured her out of the cave, the gods convinced her to go back into the Celestial Plain and all life began to grow again and become strong in her light. Once back in the Celestial Plain, she made sure that she was ready for her brother's harsh actions again by having a bow and quiver at her side. Later she sent her grandson Ninigi-no-Mikoto to pacify Japan: his great-grandson became the first emperor, Emperor Jimmu. He had a sacred sword (Kusanagi), jewel (Yasakani no magatama), and mirror (Yata no kagami) that became the Japanese imperial regalia. Amaterasu is credited with inventing the cultivation of rice and wheat, use of silkworms, and weaving with a loom. Kukai famously linked Amaterasu with Dainichi Nyorai, a central manifestation of the Buddha, whose name is literally "Great Sun Buddha". Thus Amaterasu is held as an divine Emanation of Buddha Vairocana. Her most important shrine, the Grand Shrine of Ise, is in Ise in western Honshū. The shrine is torn down and rebuilt every 20 years. In that shrine she is represented as a mirror, one of the three Japanese imperial regalia. The Ise Shrine is said to be the home of Amaterasu. This shrine, however, is not open to the public. She is celebrated every July 17 with street processions all over the country. Festivities on December 21, the winter solstice, celebrate her coming out of the cave.

Wednesday, August 20, 2008

SHIFT


change / exchange / jolt / shuffle / spin / a change in attitude; judgment or emphasis / maneuver / device / system of parallel changes affecting sound structure / next / gear / move / redirect / transfer from one place, position, person, etc to another / evasion, artifice, or trick / reinvent / substitution / change or substitution / scheduled period of work / exchange within same class / rearrangement / bridge / reposition / change in meaning or use / strategy / lateral / rearrangement for improved defense / restructure / fault line / dislocation of a seam or stratum: fault / transfer position / a loosely fitting dress that hangs straight from the shoulder; a chemise or slip / alter position or place / new direction; perspective / a change in direction / change – position direction, place or form / a change in position / tilted, spun, and swept away on waves of waking dream / to put aside and replace by another / successive crops in crop rotation; tract of land used / to provide for one’s own needs; get along / expediently ingenious device / a change in wavelength, causing a movement of a spectral band or line / to get along by tricky or evasive means / a means to an end; an expedient / rearrangement from one formation to another / a stratagem; a trick / new configuration / SHIFT

Tuesday, August 19, 2008

Love Hue




'My eyes, desirous of beautiful things,
And my soul, likewise, of its salvation,
Have no other means to rise
To Heaven but to gaze at all such things.'
– Michelangelo

Wednesday, August 13, 2008

Firenze


Firenze - Roof Tops, the sea of terra cotta tile from my hotel in the center of Florence

Firenze - Ponte Vecchio, looking from the old bridge at 2 of the 6 bridges over the Arno

Firenze - Duomo Scaffolding, an incredibly impressive architectural highlight seen from nearly every vantage point of Florence


Firenze - Santa Croce, the gorgeous marble clad buildings withintricate designs are powerful and captivating

Tuesday, August 12, 2008

Wednesday, July 23, 2008

Plain Desire


'The heart has its reasons which reason knows nothing of.' -Blaise Pascal

Thursday, July 17, 2008

Remembering Plains

'Remembering Plains' is a statement about the depleting open spaces of our changed and ever-changing environment.... a series that I developed in 2005. The most developed series to date with 25 so far. Subsequent series are 'Sunset - Open Plains', 'Plain View', 'Plain Desire' & 'Sunstacked'. This body of work speaks to the meditative quality of the horizon evoking longing.

Tuesday, July 8, 2008

CREATIVE GROWTH


I've had a very productive time with high amounts of growth over the past few months.... after a long painter's block - painting but without direction - I found a turning point out of this rut in an attempt to deal with what seems to be a continual broken heart - causing me to reassess life intentions. I made it a point to paint as intuitively as I could.... avoiding my over active editing, expectations from outside influence and myself as well as precluded thoughts of what the nonexistent art market would want... [which is never what one anticipates] Instead I painted for self and for art's sake - the way I used to paint. This act has opened me to a very productive and creative period over the past few months. I'm now painting more, enjoying the act of painting more, and feel the paintings are defining themselves to a completed state.... one I'm satisfied with, a state that is leading to new territory.